by Heather R. Darsie
This is Part III of a four-part series, which seeks to look at what were considered the attributes of a Renaissance prince, and who of our four princes embodied the ideals of the Renaissance best. What were some of those themes? The idea of a Renaissance man stood for a person who strove to embrace knowledge and develop himself. This included concepts such as the arts, knowledge, physical achievements, and social ideals. More plainly and for a prince, this could include cultivating a court known for patronizing artists, musicians, and the like; establishing educational institutions, a good degree of physical fortitude, and things such as chivalric love or engaging in acts of charity.
Henry VIII, via Wikimedia Commons
During this series, we will compare James IV of Scotland, Francis I of France, Henry VIII of England, and the Holy Roman Emperor Charles V. Please do leave a comment; I would enjoy hearing your thoughts!
And now for our third prince, Henry VIII of England!
Henry VIII himself was recognized as an exceptional athlete in his youth, doing well with sports, dancing and hunting. He was a man who enjoyed fine things. He himself a bit of a musician, Henry is known to have written music during his time as king, along with keeping court musisicans. Henry was a patron of the arts in that he employed individuals such as the famous Hans Holbein, owned illuminated manuscripts, and had a fine collection of expensive tapestries. Henry also liked to compete with Francis I of France in the realm of architecture, expanding buildings that he owned such as Hampton Court, and commissioning the construction of new palaces such as that of Nonsuch in Surrey, England. Unfortunately, Nonsuch no longer exists, but we do know that the palace was meant to compete with the Chateau du Chambord. Sadly, Henry never saw the palace completed, as he passed away in January 1547 and it was not completed until during the reign of his daughter Mary I, or possibly even later, during the reign of Elizabeth I.
Henry enjoyed book-learning and was a rather studious individual. For a time, he was devoted to the papacy and even penned a document in Latin condemning Martin Luther, called Assertio Septum Sanctorum, or Defence of the Seven Sacraments. This earned Henry the title of Fidei Defensor, or Defender of the Faith, by the pope. That title is still carried by today’s Queen Elizabeth II.
Sir Thomas More, a humanist and theologian, was a close friend of Henry’s and had an influence on him earlier on in Henry’s reign. As an intellectual, Henry was intrigued by the humanist ideals sweeping through Europe at the time. More introduced another famous humanist, Desiderius Erasmus, to Henry in 1509. Erasmus even sought to flatter Henry by writing a poem about the prince.
While Henry certainly had a promising start to his reign, much of the elements that created his glittering court fell by the wayside as time wore on. He suffered from a decline in his physical and mental health, which became more acute after 1540. His buildings, works of his favorite artists, some of his tapestry collection, and music have all come down through time to us here in the 21st century. It is no small feat for one person to still be so close to the forefront of modernity’s thoughts, or to continue being a source of influence and debate.
What do you think of Henry VIII as a Renaissance Prince?
Love learning about the Queens of England? Are you interested in Tudor history or Women’s history? Then check out my book, Anna, Duchess of Cleves: The King’s ‘Beloved Sister’, a new biography about Anne of Cleves told from the German perspective!
You Might Also Like
- Henry VIII’s Third Love Letter to Anne Boleyn
- The Beginning of a Dynasty: the Coronation of Henry VII
- Anna, Daughter of Cleves
- Anne Boleyn and the Famine
Sources & Suggested Reading
- Elton, George R. “Henry VIII.” https://www.britannica.com/biography/Henry-VIII-king-of-England Retrieved 9 December 2016.
- Phau, Donald. “Erasmus of Rotterdam, the Educator’s Educator.” Fidelio Magazine, Summer Vol. 1995. https://www.schillerinstitute.org/fid_91-96/952_erasmus.html Retrieved 20 December 2016.
- Stapleton, Thomas. The Life and Illustrious Martyrdom of Sir Thomas More, Formerly Lord Chancellor of England. Trans. Hallett, Philip E. London: Burn, Oates & Washbourne, Ltd. (1928).
- Biddle, Martin. Nonsuch Palace: the Material Culture of a Noble Restoration Household. Oxbow Books (2005).
Categories: This and That